TBAS Snapshot

I know I missed last week, but it’s finals and life has been crazy for me. But good news, I’ll be done with the semester after this week and free for an entire month! But here’s the snapshot for this week with an extra long excerpt as promised 🙂

Title: Ember

Current word count: 81,117

Words written this week: about 2,000

Words cut this week: about 2,000

What I’m working on: Polishing. I worked with an editor for the first 10k and used her comments to apply to edits to the rest. I added a couple action scenes, cut down some other ones, and polished the prose and voice. It really made a huge difference, even the small details and changes. I wanted to really perfect it before pitmad, SFFpit, and PitchMas. Also, I just made a couple big submissions, so fingers crossed! 🙂

Favorite lines: 

As I watched, Scar raised it to his lips and drank. He grinned, and his teeth shone red with blood. A wolf tearing into a kill.

“I’m done with her. Drain all of it, even if she’s dead.”

The boy seemed eager to comply.

I grit my teeth against another scream as his ragged knife tore into my flesh, prying skin from muscle. Desperately, I tried to focus my magic as Asa had tried so often to teach me, his chest glowing with energy. Skin and fiber knit together at his touch.

But nothing happened.

Of course it didn’t. It was hopeless. I may have Amaranthine blood, but I was pathetically, hopelessly human.

Scar leaned against the wall, sipping from the bowl as he watched the boy harvest me. I stared at him, and willed all of my rage against him. He was everything in this world I hated. He had hurt the only friends I ever had before I met the pack. He hurt everyone he ever came in contact with, and enjoyed it. He lived off of everyone else’s pain.

And now he was going to kill me.

Scar’s face turned red. He coughed, and it caught at the back of his throat, trapped. Choked. A gurgle slipped out, mangled. The bowl fell from his hands. It shattered as it hit the ground, dashing my blood against the wall.

The boy froze, and cast an anxious look at him. “Are you alright, Scar?”

Scar couldn’t speak.

His hands went to his throat, clawing at his skin and drawing blood. His skin paled to ash. His eyes bulged. His scream came out a strangled gurgle.

Goal for next week: Rock out SFFpit and PitchMas! (After finals, of course)

TBAS Snapshot

Hey all! With the semester almost over and the holidays coming up, things have been a little crazy but I’ve still managed to get some editing in. If you hadn’t heard, I finished my WIP Nightfire! You can read my post all about that here. But I know that y’all have liked the snapshot posts, so I thought I would continue them as I dip my toe into the editing phase, and eventually get into major revisions where I’ll be picking apart my beautiful shiny MS completely.

I created To Build A Story to take you through the writing process and journey with me–which doesn’t stop when I’ve finished the first draft. I’ve changed up the snapshot a little bit so I can give you a better look into my editing process.

Title: Nightfire

Current word count: 67,505

Words written this week: 500

Words cut this week: about 100

What I’m working on: My first full read through of the story start to finish, with some light edits and tweaks. I’m actually surprised by how well it turned out. I expected I would have to destroy most of it since it is only the first draft. But I think that the beginning is very strong, though it does start to change around the middle, with the parts I wrote for CampNaNo. They’re not awful, but they’re not entirely working, though I need to figure out exactly where I want them to go before I try to fix them. I also finally divided (most of it) into chapters! So at least there is some sort of organization and logic now.

Favorite lines: 

In this ever-shifting world, only two things are sure. Tangible, unchanging.

The breath in my lungs, and the drumbeat in my chest.

I sit crouched in my vantage point, my muscles stiff with cold yet poised to strike, an arrow notched in my bow. My breath crystallizes as it meets the frigid night air, swirling clouds from my lips. Here in this austere silence, instinct pulses through my veins and my humanity falls away.

I am a predator, born to kill.

Goal for next week: I’m a little over halfway through, and I hope to have finished this read-through by then!

TBAS Snapshot

Hey all! So I thought the snapshot last week worked out pretty well, so I’m going to try it again this week. It is finally starting to feel like fall here, which I am loving, but I haven’t gotten many words down with Halloween weekend and trying to catch up in school. Not to mention I’m starting to get sick, but I hope it will give me some time later this week to write some more, and hopefully I’ll have a better word count for y’all next week. 🙂

Title: Nightfire

Current word count: 64,134

Words written this week: 1345

What I’m working on: Still working on the same battle scene (sigh). I haven’t written much this week though, either. But I am very close to the end of it! I have the action all down, I just need to fill in some details and the aftermath. I also surprised myself with some awesome bits of gore.

Favorite lines: 

She is gone.

I cry out involuntarily, a strangled mix of frustration and grief.

“Kera?” Torren says from behind me.

“Hana,” I manage, my voice raw with a sudden, searing ache. “Hana!”

My voice is swallowed by the clash of metal and bone, by the garbled cries of dying men. I throw aside the bow and take up the sword, running headlong into the fray, only one thought in my mind. I have to get to her.

I can’t lose her again.

Words left to write: Around 4k, maybe even less. It really depends on how long the climactic scene ends up, but it shouldn’t be too long. Really looking forward to the next couple scenes!

Resisting the Urge

As writers, we constantly have inspiration and ideas floating around. Most of the time, they’re just fragments of ideas that we jot down for later and then forget about. But sometimes, we are struck like a bolt of lightning with an idea we can’t ignore. What happens when  you’re struck in the middle of another project?

I already wrote this post about the struggles of working on two manuscripts at once, and the difficulty of keeping the voices and stories distinct from one another. Of course, now I’ve been struck with an idea for an entirely new story, and though I’ve tried my best I can’t ignore it.

I already scribbled a brief outline of all my ideas, just to get them on paper in the hopes that it would make them leave me alone and I could still save them for later. Of course, nothing is ever that easy. This morning I had some words rolling around in my head and I couldn’t get them out, so I decided to jot them down. That turned into the opening scene, which turned into culture research, which turned into more ideas, which turned into character development, which turned into characters. Now I have two more voices, shouting for my attention.

When we’re faced with a competing idea, we either have the choice to ignore it or give in. At this point, with two current projects–one manuscript, Ember, I am preparing for publication, and the other, Nightfire, I am so close to the end of the first draft, with three more books to write in the series–I can’t possibly start another.

I’ll admit, it’s exciting. I am starting to see the bare bones of this story come together, and I love it. I’m excited about this idea, and this world, and all the possibilities. But I can’t get excited over a new story when I need to stay excited and devoted to this one in order to make it through three more books.

I tried ignoring it, but that didn’t work, so I wrote what I can to save it for later. Now it feels like I’ve opened the floodgates, but I’m still trying to plug the holes.

How do you resist the urge, when a new story is tugging at you? Do you give in, or do you stop the holes and hope that is enough?

TBAS Snapshot

Hey all! Hope you are getting ready and excited for Halloween! I know I am 🙂 Since I have been so busy this semester, I have only been able to post about once a week. I came up with the idea to reblog a worthy post from the writing community every week to fill the gap, but based on your feedback, I decided that wasn’t the best answer.

So I am going to try something else.

Since I started To Build A Story to take you along the journey of writing a book with me, I thought I would give you a little snapshot of where I am, every week. It’s a more detailed look than my usual overall posts, so I hope you like it and maybe even find it helpful. Feel free to join in, and let me know where you’re at in your writing! After all, we are in this together 🙂

Title: Nightfire

Current word count: 62,786

Words written this week: 2,421

What I’m working on: A battle scene before the climax. Or at least, trying to–battle scenes are not my favorite. I’ve been stuck on this one for a little while. If anyone has tips, I’ll gladly take them 🙂

Favorite lines: 

I grit my teeth, fighting the sudden, desperate ache in my heart. Hopelessness–in the bitter tang at the back of my mouth, in my heart with the skittering pulse of a cornered animal. I can only hope their plan for escape doesn’t depend on any divine gifts they think I have.

If that is our only chance for escape, then we are already dead.

Words left to write: I’ve estimated about 5k, but will likely end up being more before cuts. Excited to finish this draft!

Nearing the Finish Line

If any of y’all have been keeping an eye on the word counter in the sidebar, you’ve noticed it creeping ever closer to full. Now, the space is hardly noticeable at all. And it’s true. I’m only 1k away from my original goal of 60,000 words.

Am I almost done? Yes, but I still have more to go. That original goal is probably around 10k short, and that’s okay. But nearing my goal feels beyond amazing.

I’ve struggled a lot with this WIP. Between CampNaNo, burnout, and an overloaded semester, the words have been difficult at times. But somehow, at some point, I got out of the slog of the middle and into smoother waters. I’ve been churning out words, new characters, and plot points, and love where the story is going. I get excited every time I sit down to write, and when I start I don’t ever want to stop.

I love this feeling. It certainly hasn’t been an easy road, but writing a book never is. And as this WIP gets closer and closer to becoming a full, complete manuscript–my second publishable one ever–my smile gets bigger and bigger.

What started out as a snippet of an idea, one I pursued only as a break from my original manuscript, turned out to a story and world of its own. Now, it is about to be a book, and then a series. I feel a little bit like a proud mom, about to have her second baby. My CP and I call them brain babies, and this really is. And I think for a while I’m going to keep this one to myself, and enjoy it while it’s fresh and exciting and new, before I send it out into the world to be beaten and taken apart and reformed.

I’m actually looking forward to edits. I’m looking forward to going through it, and exploring this world deeper, and these new voices I’ve just discovered. I can’t wait for it to be polished and shiny and ready for the world–and to share it all with you.

This has been a marathon. I am so glad I’ve had y’all along with me on this journey, on the sidelines of the marathon, cheering me on. Though there were definitely times I wanted to give up, I am jogging towards the end–my lungs burning, muscles aching, and heart soaring. I just need a few more cheerleaders, to make it through this home stretch, and break through that ribbon.

I can’t wait.

Split Personality

I wrote a post a while ago called The Voices in My Head, about how characters are the heart of a story, and how to create characters that are truly alive.

Now the negative of that is if you bring characters to life, they stay that way. In your head. All the time.

Besides the obvious problem with your sanity, this can be a problem with your writing. As you know, I’ve been writing my WIP Nightfire. Meanwhile, I’ve been querying my MS Ember, but in the process have received feedback and started with some more edits and tweaks. Before, I’ve never had an issue with multiple characters, because I’ve only really worked on one manuscript at a time.

Now that’s changed, and I have two voices in my head–a split personality.

How do I navigate this, when characters are the heart of the story? It is hard not to lose the exact pitch of their voices, when they are both talking at once. Normally, I am engulfed in one world, one story, one voice. I know exactly how they think, how they would react, what they would do, because that is what I am surrounded by. I am lost in it. But how do I lose myself, in two places at once?

I have never seriously written two works at once, and have always heard of authors who can, and do. Some have written up to four books in a year! Maybe it is possible, but I am not sure how they stay true to each story, and distinct from the others.

When I go back for edits, I have to read through a scene or two, and re-ground myself in the world. Remember the exact tone of Falcon’s voice, the heartbeat of her world. Then when I reach a block in edits, I go back to Nightfire. I have to read through again, find Kera’s voice, the pulse of her story. It doesn’t always work. Sometimes I get lost in between, or with both at once. Sometimes I think I’ve found it, and a trace of Falcon will slip through, or vice versa.

This is a problem because Kera and Falcon, though they are similar in many ways, are also very different. They have entirely different ways of reacting and dealing with situations. I’ve found that in some scenes, Kera will snap or lash out–when that is not her character, but Falcon’s. I have to step back and re-evaluate. Focus on her voice, and feel her emotions.

It’s not perfect, but neither is writing. I think the key is truly knowing both Kera and Falcon, and being able to recognize when one is not being true to her character.

Have you ever worked on two stories at once, maybe even more? How did you handle it, and keep them both separate and true? Even if you haven’t worked on more than one story, how do you separate voices when it comes to a new story?

To Build A Story: World-Building

I’ve wanted to write this post for a long time, but have never gotten around to it. So here it is!

For a long time, I never really considered world-building when I wrote. I focused on plot and characters, and the world was just kind of a backdrop. I think a lot of writers overlook world-building, or don’t give it enough attention in their writing. I wrote this post about the importance of world-building, and some things that great books do to bring their worlds to life. You should definitely go read it if you haven’t already, because I take a deeper look into what makes a good, realistic, deep world. Now I wanted to give you some of the resources I’ve found to be helpful as I develop the world for Nightfire. 

This is the first WIP that I’ve really spent time developing the world, and it’s shown me a whole new side to writing. I really love the process. Even if half of this never makes it into the actual book, it has helped me understand the characters and story so much more, and made it all feel real.

1. Name Generator

One thing I am terrible at is names–you may have noticed from the multiple posts asking for your help choosing names. There are many different generators, but this is a great one that I’ve used for Nightfire. I like to use generators when I need variety, or for non-English names. I don’t usually use the exact names they produce, but it’s a great starting point.

2. Character Generator

Now I know this isn’t exactly world-building, but this is another great resource, especially for those side characters that help flesh the world out (which I wrote about in the previous post mentioned above). Seventh Sanctum has a whole bunch of great generators, like this one for characters, or a couple others for settings and combat.

3. Map Generator

Similar to the name generator, this map generator is a great starting point. I never realized before how helpful it is to actually have a concrete mental image of how the world is laid out. It makes logistics so much easier, and the action feel more real. Instead of them journeying from point A to point B, they are travelling from Cinder Lake to the Anvil Mountains. I could never come up with all the landforms and names on my own, so the generator really helped me get started.

4. Map Making Software

This is a little bit more technical, but don’t let that scare you off. AutoREALM is very easy to use (It took me less than an hour to figure out the basics on my own) and is amazing. Seriously, amazing. Creating a real map to have as a reference has been so helpful, and even inspired different storylines and aspects in the book. Not to mention they turn out pretty awesome looking, for such a simple software. Here’s mine for Nightfire (which I did in three hours, including the learning curve):

realmap

Pretty awesome, right? Not bad for a couple hours and limited technical skills.

How do you world-build? Any resources of your own to share? What do you think of these–did they help at all? Let me know!

The Voices in My Head

Character is what drives the story. Not fantastic world-building, creativity, or exciting plot. A book can have the most beautiful, unique world, with a great concept and cinematic plot–but it is nothing, without character.

What books do you remember most? Which are the ones that stick with you?

Maybe it’s the one that kept you on the edge of your seat. But more often, it’s the book with the voice that stuck in your head, and wouldn’t go away. It’s the one with a person you lived inside, for the hours or days it took you to read that book, and forgot who you were. You felt them. You became them.

As a reader, I love that. Isn’t that one of the biggest draws of books, stories? That we can escape into this world of ink and paper, and forget who we are, and let our world, our reality, fall away?

As writers, how do we create that?

I’ve been writing stories my entire life–meaningless stories. Stories where the plot drove the characters, not the other way around. A few years ago, I finally recognized this, and set out to create the perfect character.

I did my research, I read the articles and the books, I did the character sheets, and inspirations, and trait lists. I could tell you about the tattoo on their ankle, what their middle name was (and whether they hated it), and which side of the bed they slept on. I came up with quirks and flaws and strengths.

And what did I have? Paper.

I had filled them full of things meant to make them feel real, but they still felt flat, hollow. They were real, but they weren’t alive. Characters are not devices, or plot points, or vessels for your wit. Characters are people.

I am not discouraging anyone from studying the craft, and doing character exercises. They were critical in starting to learn who my characters were. It got me to stop thinking about them as characters, and start thinking of them as people. That, I think, is when they started to take shape on their own.

I stopped worrying about adjectives and quirks and fears. I stopped seeing them as words, and started seeing them as people. I don’t know when exactly it happened, but something shifted. First, it was Falcon. I could see her reacting, to every situation I was faced with. I could feel how she would, what she would think, what she would do, right in that moment. Sometimes she even reacted to me. All of the sudden, it was like there was this person inside my head.

I know, that sounds absolutely crazy. Like, I should be checking myself into a mental hospital crazy.

But I’m completely serious. That was the moment she became real, and my story came alive. She was the first of many voices (some of which you’ve seen glimpses of, in snippets or yesterday’s character hop). They peeled themselves up off the page and started talking and walking, and erasing things and rewriting their own story. Sometimes, when I’m writing, it’s like my hands are not my own. I can go in with one intention, and end up with something completely different.

I’m discovering this all over again while writing Nightfire. I started with literal, flat concepts of characters–a wild, fur-wearing girl with beads in her hair, a monstrous bear-wolf hybrid with humanly amber eyes, a skilled hunter with a shaved head and criss-crossed swords at his back. I started with the concepts, and as I wrote, they started to emerge. The hunter boy wasn’t cold and calculated–he was skilled, but also surprisingly soft, and loved to talk whether anyone listened or not. And though they’re still not entirely whole, I’m discovering more of them everyday. It’s kind of exciting, like getting to know a new friend, or even falling in love, bit by bit.

Maybe I’m taking this too literally. But it frustrates and even saddens me when I see so many writers in the blog-o-sphere so caught up in technique and development and word count, that they forget the story. Not the plot, the story. The one our characters are screaming at us, we’re just too blinded by ourselves to listen. I’m not trying to preach this, or say that my method is better, or anything. Maybe it’s not, for you. Maybe you haven’t really tried.

I realize there’s no way to guarantee this will happen. There’s no magic spell or incantation or rain dance to make them come alive (what do you think I am, crazy?) Don’t be worried if it doesn’t happen. It didn’t happen for me, for years–most of the time that I’ve been writing. But we have to stop being so caught up in ourselves, that we don’t see our characters right in front of us. We have to stop worrying about how to make them unique or interesting or whether they would really do that, and just let go. You have to give them room to grow.

Even when I set out to create the perfect character, I didn’t realize they were already there, in my own writing. I just had to get to know them. Spend time with them, feel them, laugh and cry and talk with them. The same way you get to know a person, sit down and get to know your characters. Because they really are people, just made of ink and paper instead of flesh and blood.

Make friends with the voices in your head. You’ll thank me, I promise. 😉

 

 

 

TBAS: Title Reveal

There is so much that goes into choosing a title–as I found out this week. As a reader, the title is what draws you to pick up a book in the first place. As a writer, that’s a terrifying thought. What if we choose the wrong one, and the reader never picks our heart up off the shelf?

There a dozen different techniques and strategies and advice for picking a title. (K.M. Weiland has a great post on it here) But honestly, there’s not a science to it. As with almost everything I do related to writing, I follow my gut. If I don’t feel it, it’s not happening. So when I didn’t get that feeling for any title, I was kind of freaking out.

Solution? Put my ideas into a poll, and take it to a vote 🙂

Thanks so much to everyone who participated and helped me to choose a title! I really do value your feedback and input, and the few outside suggestions I received. The final vote count was “Shadow and Ash” with 6 votes, “Nightfire” with 5, “Shadow Mark” with 4, and “Fire and Shadow” with 1.

Let me start with the ones I didn’t choose, and why. Fire and Shadow was already a maybe, and with such a low vote count, I threw it out. Next, I toyed with Shadow Mark for a long time,  or even Shadowmark as one word. I liked the strength of it, but something about it was off, it was too long, and I couldn’t get it to look good font/cover wise. Finally, the winner, Shadow and Ash. I was surprised this one won, really. I hadn’t really considered it seriously before, but put it in as an option. Ultimately, though it won, and it is catchy, I decided it was too similar to the already popular book Shadow and Bone, and not unique enough.

So, you guessed it: the new title for my WIP is…NIGHTFIRE

Now, this may change by the end, but I like how unique it is. It is different,  and I think it catches your attention. I also love one word titles, and think it packs a punch. As I played around more with each title, I just kept being drawn back to this one, and as I said, I go with my gut. No, it didn’t win the vote, but it was pretty close 😉

Since I’m a nerd and wanted to see how the titles might look on covers (to help me choose) here is my very basic mock cover for NIGHTFIRE:

Image

 

Now I’m curious to know, how did y’all choose your titles? Was it relatively easy (as most of mine have been) or difficult, as this one has been? Was your original title completely different than your final? Do you have any advice for others who are choosing titles now?

Let me know what you think 🙂